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Creating your own EXS24 instruments can be a quick and intuitive process, opening a wealth of creative potential. Mark Cousins is caught mapping… While the EXS24 might not be the most elegant part of the Logic Pro X experience, it is certainly a superbly functional instrument and an essential part of the overall Logic workflow. Mark Cousins is caught mapping…. While the EXS24 might not be the most elegant part of the Logic Pro X experience, it is certainly a superbly functional instrument and an essential part of the overall Logic workflow.
Once saved, these newly created instruments can become an essential part of your sound palette, accessible across the entirety of your Logic projects. Mapping Success One key component that can confuse new users is the difference between the EXS24 instrument plug-in, which you instantiate into your track list or mixer, and the so-called EXS24 Instrument Editor.
In essence, the EXS24 Instrument plug-in is the front-end of the sampler, complete with a set of synthesiser-like controls that can be used to modify the sample playback — using envelope generators, for example, to shape the amplitude over time, or the filter to home in on harmonic information.
Creating a new instrument from scratch begins with an empty instance of the EXS To open the editor, press the small Edit button in the top right-hand corner of the EXS24 plug-in. From here, we can see a list of the samples used in our instrument, along with their relative position on the keyboard, the number of keys that they span across, as well as how they respond to velocity.
Zone Out Technically speaking, an EXS24 instrument is comprised of a series of zones, with each zone containing a sample of your choice. The importing process works intelligently, so that you could drag just one sample over a single note and have it mapped accordingly, or drag a collection of samples and have them auto-mapped across a series of consecutive keys.
Basic controls like volume and pan let you mix the samples — maybe panning some drum samples across the stereo image, for example, or sitting a reverberated snare sample behind a dry snare.
Tuning controls can either be used correctively re-tuning a sampled bass note with poor intonation, for example or creatively, particularly in the example of re-tuning drum samples. Other creative options include the option to reverse the sample playback, which is well worth using in conjunction with the in-built sample editor accessible via a drop-down menu in the Audio File column to adjust the start and end points.
The Groups are listed down the left-hand side of the editor window, and work much the same as playlists in iTunes — simply select your required zones and drag them across into the Groups list. In effect, the controls here — including filters, envelopes, LFOs, a modulation matrix and tuning functions — are applied globally across all the zones, making it a quick and easy way of changing the sound of the instrument en masse. Ultimately, the quicker you can map the samples, the less interruption there is to your creative process, giving you more time to explore the creative potential of sampling in your music.
Data Management Remember to store all your sample data in a clear, organised way, arguably making some optimisation in respect to the speed of the hard drive which will affect how many voices you can stream. An external drive, connected via a fast connection protocol like FireWire or USB 3, or an additional internal drive, should be considered essential, reserved solely for the task of sample streaming. This tutorial is endorsed by Point Blank.
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